Keb’ Mo’ – what matters most is peace on earth

I got to see Keb’ Mo’ play live for the first time a few months ago. That was very cool – he’s a skilled performer, had a great band and the joy of the music just oozed out. I discovered a few of his Christmas songs a couple of days ago and they got me thinking. Jingle Bells Jamboree features Mo’s characteristic, rhythmic guitar picking and celebrates a family Christmas, complete with presents under the decorated tree, children anticipating Santa Claus, and mum and dad in the kitchen cooking the turkey. But in the middle of the song, suddenly it doesn’t matter if “there are stockings on the wall, ‘cause what matters most is peace on earth and good will to all.” And then, “the more you give, the more you will receive.”

Then in We Call It Christmas, Mo’ sings, “It’s all about peace, no fighting anywhere. Knowing there’s enough for everyone to share.” Living, he says, is all about “getting into the spirit of giving.” “It’s all about love, and how much we can give, when we open our hearts…”

And then there’s Keb’ Mo’s Shopping on Christmas Eve, featuring some very nifty solo guitar work. It’s about the guy who leaves all his shopping until the last minute. Christmas shopping – arghhh! Well, those presents aren’t going to buy themselves are they? But there’s something pretty unsavoury about the advertising and the pressure – earlier and earlier each year, it seems – to go out and spend. (Check out George Monbiot’s recent piece on how we’re manipulated by the corporate machine)

Peace, giving – right at the heart of what Christmas is. Because of the utter self-giving love of God in the baby of Bethlehem. “Peace on earth,” sang the angel heralds of this extraordinary birth. Could it be? Is there an alternative to the headlong race into consumption and self-centredness that surrounds us, and the hate-filled war and terror besetting so much of our world? The first Christmas shouts a resounding yes, and with it challenges each of us to “get into the spirit of giving.”

“It’s all about love, and how much we can give, when we open our hearts…”

Keb’ Mo’s Hot Pink Blues Tour at Union Chapel

Last month I fulfilled a long-time ambition and got to see Keb’ Mo’ in concert. He played Union Chapel in London. This is a very interesting location for a gig. It’s a quite lovely church building, with the pews set in semi-circular arrangement, a balcony and a high wooden ceiling. The acoustics are wonderful and wherever you’re seated you have a great view of the stage and are quite close to the artists.

It’s also a working church – it bills itself as “liberal, inclusive, non-hierarchical, and non-conformist.” The principle of its founders was to make Union Chapel a “Friend for All” – enshrined in the Chapel’s deeds and continuing at the heart of Union Chapel Church to this day. It has a thriving service to people who face issues of homelessness, mental health, isolation and crisis, which aims to help people with their long-term recovery.

If you come to a gig at Union Chapel, you can sign up for a meal beforehand at the Café attached to the church, which is run by the homeless project. This gets you a fine meal, allows you to contribute to the worthwhile work, and gives you the benefit of bagging your seat in the venue before the rest of the crowd is allowed in!

Waiting for Keb’. Union Chapel, London

So, all in all, Union Chapel is a great venue, and a packed audience welcomed Keb’ Mo’ and his band on their Hot Pink Blues tour enthusiastically. “I prayed before I came on stage,” joked Mo’ as he launched into Keep It Simple and then got the audience rocking with Am I Wrong. This small group of top-notch musicians comprising Casey Wasner on drums, Stan Sergeant on bass and Michael B. Hicks on keyboards, and of course Keb’ Mo’ who is a fine

Stan Sergeant

guitarist, were tightly knit throughout and rocked us soulfully through the eighteen songs of the set. The band supported Mo’s singing and guitar playing beautifully throughout, but now and then were able to give full rein to their individual talents – we got a fantastic bass solo from Sergeant on More Than One Way Home, for example, and then each member of the band sang a chorus of The Door, talented soulful singers, every one of them. The whole band seemed to really enjoy playing together and their enthusiasm was quite infectious, with the audience growing more and more appreciative as the evening wore on. By the end the whole crowd was on its feet baying for more.

Keb’ Mo’ played a variety of guitars throughout the evening, including a steel resonator and a very cool looking green Gretsch. He’s a fine guitarist and we got plenty of opportunity to savour this during the evening. He’s also a great singer and song-writer and, in a kind of understated way, commands the attention of his audience. But this is largely because of the high standard of the musicianship, rather than anything else. Keb’ Mo’s is honest music, as the blues tend to be, dealing with life and love, unpretentious, but aspiring to high standards of musicianship. It’s music that draws you in, warms your heart and sends you away with a broad smile on your face.

Although I was disappointed not to hear a favourite of mine, Life Is Beautiful, we did get the fun Shave Yo Legs – fun, yet making a serious point. “You don’t need no fancy tricks, Painted eyes or glossy lips; You don’t need to change your dress, You don’t need to change your shoes; You don’t have to clean my house, You don’t have to wash my clothes; Go ahead be wild and free, ‘Cause you don’t have to shave yo legs for me.”

This is a great song in a genre of music that has plenty of sexist lyrics, where we find women blamed for the misfortunes of men, objectified or the subject of physical abuse. Remember Robert Johnson’s Me and the Devil Blues, where Johnson is “goin’ to beat my woman until I get satisfied?” Or Big Bill Broonzy’s When I Been Drinkin’, with “I’m lookin’ for a woman that ain’t never been kissed, Maybe we can get along and I won’t have to use my fist”.

Leaving aside the violence and discrimination that women throughout the world face, Mo’s song addresses the pressure that our society puts on women to conform to certain stereotypes of looks, dress and body-shape. In a fun song, he coaxes men to give up any outdated expectations they may have that the women in their lives should have to look after their homes or try and emulate the unrealistic images of women on the billboard ads. Good for you, Keb’.

One last thing – Mo’ is now 64. What? He looks an athletic 40 year old. And he seems to live in the music and to enjoy every second of his performance. I’m hoping it’ll not be long before he’s back on this side of the Atlantic.

Best Blues Albums 2014

2014 was another excellent year for the blues, as you can see from the list below. Blues music is so diverse that it’s very difficult to make a list that contains both acoustic and electric blues and everything else in between. But…notwithstanding that, here is Down at the Crossroads Best 25 Blues Albums of 2014. Feel free to disagree…

First of all, our top 10 – 

Kenny Wayne Shepherd: Goin’ Home

Still only in his mid 30s, Shepherd has a 20 year career behind him. This is a wonderful, mature album, where he gives us 12 of the songs which first got him excited about the blues. We get guest appearances from Ringo Starr, Joe Walsh, Warren Haynes, Keb’ Mo’, Robert Randolph, Kim Wilson and the Rebirth Brass Band in a hugely enjoyable journey through the some of the absolute classics of the genre.

Keb Mo: Bluesamericana

Slick return to his blues roots, this is a very fine album from Keb Mo. A highly enjoyable set of songs, all but one are originals and there is some excellent guitar work. And nice to see a couple of songs dealing with topical issues in The Worst is Yet to Come and More For Your Money.

 

Luke Winslow-King: Everlasting Arms

Luke Winslow-King, ably assisted by his talented wife, Esther Rose, have given us a stunning album of rootsy, bluesy Americana in Everlasting Arms. It’s old-time, yet always manages to be fresh, and it’ll bring a smile to your face every time you listen to it. With 13 songs that weave seamlessly through the blues, country and folk with hints of jazz, the whole album is a delight from start to finish.

Walter Trout:  The Blues Came Callin’

Willie Dixon once famously said, “The blues is the truth.” Walter Trout has given us a blues album that tells the truth, is all its starkness and rawness. Recorded prior to his liver transplant when he was quite ill, the music on the album attests to his remarkable strength of spirit. Here and there, Walter’s voice isn’t as strong as we’ve heard it and despite the subject matter of some of the songs, the album is life-affirming.

John Mayall:  A Special Life

The Godfather of British blues, after more than 50 album releases, presents us with a very well crafted and excellently produced classic blues album. Four of the songs are originals and all eleven are beautifully performed by a talented band. Most enjoyable.

 

Kaz Hawkins: Get Ready

Kaz Hawkins’ new album, Get Ready, is inspirational, honest, warm, full of energy and infectious passion. Blues and gospel with a dollop of soul and R&B served up by an excellent band and a truly remarkable singer. Kaz’s voice is powerful, emotional, rasping, passionate, bluesy. And her music comes from a deep well of personal experience, trial and hope for the future. One not to be missed.

JP Soars: Full Moon Night in Memphis

JP Soars’ third studio release, Full Moon Night in Memphis, is one of the most enjoyable albums I’ve listened to this year. Every track of the 14 is simply a joy, with divergent blues styles which show off Soars’ fabulous guitar chops and excellent, gritty vocals.  Entertaining, engaging and enjoyable.

 

Eric Bibb: Blues People

Top notch acoustic blues from blues troubadour Eric Bibb, with his characteristic upbeat songs and delicious guitar picking. In part a tribute to the memory of the Dr. Martin Luther King, the album is a fine mixture of country blues, folk, gospel and soul. Taj Mahal, The Blind Boys of Alabama, Ruthie Foster and Popa Chubby all guest in what is one of Bibb’s consistent offerings.

 

Luther Dickinson: Rock n Roll Blues

Luther Dickinson’s take on the blues is, I guess, not for everyone, but his quirky vocals, handy guitar chops and a terrific set of songs makes this a stand-out album of acoustic folk, blues, and country. This is raw and honest music, a welcome relief from much of the slick, over-produced stuff that is all too common.

 

Janiva Magness: Original

This is LA-based artist Magness’s best work to date, to be sure, 11 original songs, 7 of which she co-wrote. Wonderful vocal variation and control throughout these excellent bluesy, soul-laden songs. A treat.

 

 

And – here are our next 10 Best Blues Albums of 2014…

Gary Clark Jr.: Live

Often hailed as the future of the blues, Gary Clark’s Live is a very fine album of the best live versions of his song. Intense and passionate, it showcases his considerable guitar playing and grabs your attention from the get-go. Classic and traditional blues are fused here into a compelling fresh sound, which holds great promise of things to come from Clark.

 

Joanne Shaw Taylor: The Dirty Truth

Classy fourth studio release from Taylor who gives us ten strong songs of hugely enjoyable blues rock. The guitar work is outstanding as we would expect, but Taylor’s vocals are delivered with considerable aplomb. Much to enjoy here.

 

Ian Siegal: Man and Guitar

Ian Siegal – prolific songwriter, gifted guitarist, commanding performer – it’s all on display on this album recorded at the Royal Albert Hall by the BBC.  With outstanding sound quality, this is a wonderful concoction of blues, folk, rock and roots music that is punctuated here and there with Siegal’s witty banter with the audience.

 

Rory Block: Hard Luck Child

Following her excellent tributes to Robert Johnson, John Hurt, Fred McDowell and Gary Davis, Block has given us a fine album of acoustic songs by Skip James. As usual, Block’s guitar work is terrific and she doe full justice to one of the most important early country blues artists, whose music was often haunting and unusual. The album has one original song, Nehemiah James, which serves as an introduction to James’s life story.

John Hiatt: Terms of My Surrender

Prolific Americana artist Hiatt offers us a compelling set of blues-infused  songs with echoes of J.J. Cale, recent Bob Dylan and Guy Davis. Hiatt’s voice is as world-weary as ever, the songs heavy with a life-time of experience. Hugely enjoyable stuff.

 

Royal Southern Brotherhood: Heartsoulblood

HeartSoulBlood is remarkably upbeat and inspirational. Outstanding guitar work and lovely harmonies characterize the whole album which is funky and full of good tunes. There’s a lot of hope here, exemplified by the song “Love and Peace Will Heal the World.”

 

Nick Moss: Time Ain’t Free

This is a band in exceptional form here, with a heady blend of blues. soul, funk and rock-and-roll. No nonsense blues rock of the highest calibre.

 

Jo Harman: Live at the Royal Albert Hall

Recorded and produced by the BBC, this is a 2013 performance at Blues Fest at the Royal Albert Hall. There are 8 songs, all showcasing Jo’s excellent band and most of all her wonderful, emotional vocal performance. There is much to enjoy here – some very tasteful guitar work, versitile keyboards, terrific interaction between the two, and overall the band is a tight unit which seems to be enjoying itself.

Bad Brad & the Fat Cats: Take A Walk With Me

Bad Brad and the Fat Cats reach out and grab you by the lapels from the opening guitar riff of Take a Walk With Me and pull you right inside their rockin’ bad ass blues whether you like it or not, until finally they spit you out at the end of the Les Paul-laced Uma, thirteen tracks later.  13 original tracks of classic blues rock that always manage to stay fresh.

 

Joe Bonamassa:  Different Shades of Blue

Guitar virtuoso’s first album of all-new material in two years. Blues rock, but at the same time should appeal to a wide audience. With help from a couple of Nashville songwriters, Bonamassa has given us a fine, varied album, well produced and featuring, of course, his trademark guitar chops.

 

And, Down at the Crossroads’ final 5 Best Blues Albums of 2014

Mark Harrison:  The World Outside

Joe Louis Walker: Hornet’s Nest

Thorbjorn Risager: Too Many Roads

Ruthie Foster: Promise of a Brand New Day

Devon Allman: Ragged and Dirty

 

Poet Billy Collins – noticing the pain of others

Billy Collins

Billy Collins, former Poet Laureate of the United States (2001 to 2003) is a Distinguished Professor at colleges in New York and Florida. The New York Times has called him “the most popular poet in America”, with his poetry books selling far beyond most volumes of poetry. His poem, The Blues, laced with humor, captures the essence of the blues. Here it is:

Much of what is said here
must be said twice,
a reminder that no one
takes an immediate interest in the pain of others.

Nobody will listen, it would seem,
if you simply admit
your baby left you early this morning
she didn’t even stop to say good-bye.

But if you sing it again
with the help of the band
which will now lift you to a higher,
more ardent, and beseeching key,

People will not only listen,
they will shift to the sympathetic
edges of their chairs,
moved to such acute anticipation

By that chord and the delay that follows,
they will not be able to sleep
unless you release with one finger
a scream from the throat of your guitar

And turn your head back to the microphone
to let them know
you’re a hard-hearted man
but that woman’s sure going to make you cry.

Brilliant, isn’t it? I love the first couple of verses in particular, which point to the repeated first line of the typical blues verse. Take Robert Johnson’s Kind-Hearted Woman Blues, for example: “I love my baby, my baby she don’t love me” – repeated before the resolution of the verse “Really love that woman, can’t stand to leave her be.” Collins suggests that such is the disinterest in other’s pain, that the line needs to be repeated twice.

The point is made with good humor, but the “no one takes an immediate interest in the pain of others” strikes home. Too often we’re too caught up in our own worlds of self-interest, or maybe just the busyness of everyday life to be too worried about the pain of those around us. The blues always have been and always will be a stark reminder of the pain and suffering in the world – it may be at the level of the personal relationship where “your baby left you early this morning” or at the level of injustice in the world (B B King’s That’s Why I Sing the Blues catalogues the injustice suffered by his own community – “It seems like everybody got the blues”).

Ross Douthat in the New York Times recently reported on a Pew Survey on young adults in the United States which indicated that the Millennial Generation is marked by increased individualism – an “increasing absence of local, personal forms of fellowship and solidarity.” It would be unfair to lay this charge only at the door of Millennials, however – our entire society has been characterised by a consuming, self-orientated individualism for a very long time. In fact, the economic basis of our society in many ways is dependent upon this very thing and so the media and advertising industries urge us to keep acquiring, keep consuming, all predicated on our own personal comfort, convenience, development and well-being. Our dedicated self-interest numbs us from neighborly concern with the grief, pain and discomfort of others.

The Christian story, like the twice sung blues line, calls our attention to something beyond ourselves and our own interests. for this is a story of a God who entered in to the poverty, the squalor and messiness of human life so that we might be set free from our self-absorption in order to participate in God’s project of world-transformation, of love and peace, ears attuned keenly to the  insistent cry of injustice all around us – the “pain of others.”

Keb Mo with Robert Johnson’s Kind Hearted Woman Blues